Like The Ramones, many musicians would say, “It’s not my place (in the 9 to 5 world).” So then, how do they pay the bills? It’s become more complicated than ever in light of changes in the music industry, so the Future of Music Coalition launched the Artist Revenue Streams project, which examines how revenue streams are changing and why. Project co-director Kristin Thomson talks to Jim and Greg about their most recent data: five financial case studies profiling how different kinds of musicians make a living. There’s the Jazz Bandleader-Composer, the Indie Rock Composer-Performer, the Jazz Sideman-Bandleader, the Professional Orchestra Player and the Contemporary Chamber Ensemble.
It was a great weekend for listening to FMC folks talk about our favorite subject: the intersection of music and policy.
On Saturday, FMC Policy Director Michael Bracy chatted with Windy City music scribes Greg Kot and Jim DeRogatis on "Sound Opinions" — a weekly talk show from Chicago Public Radio and American Public Media. read more