...and how musicians, labels and songwriters are compensated
Sunday, August 19, 2012
How are musicians paid when their fans buy downloads on eMusic? How are songwriters paid when their music is played on Pandora? Since our founding, Future of Music Coalition has provided musicians, managers and labels with the in-the-trenches details about how performers, songwriters and labels are each compensated when their music is either streamed or downloaded on an array of music services. read more
Are you a gadget geek? Did you spent hours in line just to preorder the new iPhone? When you misplace your Droid Incredible, does it feel like you’ve lost an appendage? Do you stare at your iPad screen more than you gaze into your significant others’ eyes?
Don’t worry, this isn’t an intervention. read more
Today's post is by FMC Communications Intern Peter Haugen.
For the past seven years, Rhapsody was partnered with RealNetworks and MTV, but, as of Tuesday morning, the music subscription service is flying solo. In other words, Rhapsody, which has been around for the better part of a decade, is now officially labeled a “start-up.” Again.
So why, exactly, did the company decide to go its own way? Did Rhapsody, like many people who chose to end a relationship, simply need its space? read more
Will MOG be the service that makes streaming subscription take off in the US market? That's the question music industry observers are asking today, as the web-based streaming/recommendation music service unveils its buzzed-about monthly streaming subscription service. One thing's for sure: you can't beat the price. MOG is charging a mere 5 bucks a month for streaming, on-demand access to a huge catalog of music, all legally licensed from record labels and publishers. MOG is also letting potential customers try the service for free, for one hour. read more
Proponents of the so-called “celestial jukebox” have had plenty to be excited about over the past couple of years. Online services that allow listeners to stream music “from the cloud,” coupled with broadband connections on desktops and mobile devices, have given music fans a sea of tunes to surf on-demand. read more
If you've been paying any attention to music biz news this week, you've no doubt stumbled across an item (or ten) about Google OneBox -- the web search company's bold foray into the world of on-demand music. While many of the reports focus on what this new service means for fans hungry to hear tunes with one-click, they don't often drill down into what this might mean for artists and songwriters.
OneBox has already launched, so you could just go try it out right now. Or, you could read what our vigorous research revealed about the new venture. OK, it wasn't really that vigorous -- we simply entered a band into the Google search bar to see what happened next. read more
If you follow new technologies for the digital distribution and access of music, you've undoubtedly come across the name Spotify. In recent months, the Sweden-based service — which offers a deep catalog of high quality streaming audio via a rock-solid and intuitive desktop client — has racked up the press mentions on both sides of the Atlantic. Spotify's Daniel Ek will be presenting at the Future of Music Policy Summit 2009 (Georgetown University, Washington, DC, Oct. 4-6). Reserve your spot now! read more
Tim Quirk [r] at FMC’s 2007 Policy Summit. Photo by Caroline Deutermann
“The market has spoken: people have said they want their music digitally. It‘s a completely mainstream way of accessing music these days — it’s not just hacker college kids.” — Tim Quirk, on modern music distribution.
Have you ever checked out the folks that make up FMC‘s advisory board? There are some very diverse and accomplished people in tune with our work, and we’re always thrilled to have them offer their perspectives. In fact, we‘ve long wanted to share their views and opinions with you, as our advisory board represents a ton of music-related knowledge and experience. read more