performance right

Artists' Pay for Radio Play: A View From the Green Room

by Kevin Erickson, Communications Associate

When I talk to friends about my work with FMC, they’re eager to hear about the behind-the-scenes excitement that fuels policy change. Perhaps they’re hoping for House of Cards-style political intrigue set amidst DC’s marble halls.

To be honest though, the most exciting part of my job happens in more humble settings—like a couple Tuesdays ago in NYC, when I got to see Tift Merritt and Marilyn Carino huddle in a corner of a backstage green room to practice harmonies, singing along with a phone’s tinny speaker: “You! You got what I neeeeed!” as David Byrne paced around staring at a lyric sheet, doing his best to memorize as much he could before taking the stage at Le Poisson Rouge. 

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Strong Reactions To Radio Bill

October 1, 2013

Reactions continue to arrive to the introduction of North Carolina Democrat Rep. Mel Watt’s latest bill to require radio to pay a streaming performance royalty for airing copyright covered music. How much attention the measure will get in Congress is unclear, since committees related to communications and broadcasting have postponed their meetings originally slated for this week due to the government shutdown.

NAB EVP Communications Dennis Wharton says the trade group “respectfully” opposes the “Free Market Royalty Act,” and appreciates the support of 183 lawmakers who back the “Local Radio Freedom Act,” a nonbinding resolution opposing a new performance royalty for radio. read more

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