[Post authored by Olivia Brown, Communications Associate]
Over the years, the major labels have their fair share of critics; FMC has certainly been among them. You’ve probably heard the stories: artists arguing with their labels over issues of creative control, withheld royalty payments, shady accounting practices, payola, anticompetive activity and other shenanigans that rankle musicians and fans alike. These problems are well documented and still occur. This has resulted in a well-perpetuated meme that circles: that labels can do no right. And unfortunately, this narrative has become so fashionable that it’s frequently advanced at the expense of factual accuracy.
Take, for instance, the recent story about YouTube’s massive cuts to the view counts on both Sony Music Entertainment and Universal Music Group’s channels. The majority of the press coverage following SocialBlade’s initial report on the 2 billion view count cut jumped to the conclusion that Sony and Universal had artificially inflated their numbers… because that’s what a good-for-nothing company would do, right?
Let’s cut to the chase: urban radio sucks. You know it, artists know it, and programmers know it too. It offers little room for creative programming, tends to favor established artists at the expense of new voices, and kills any halfway-decent song that does manage to land in rotation by playing it as much as three times an hour. Most of all, urban radio sucks because it rarely meets the needs of the local community from which its listeners are drawn. read more