...and how musicians, labels and songwriters are compensated
Sunday, August 19, 2012
How are musicians paid when their fans buy downloads on eMusic? How are songwriters paid when their music is played on Pandora? Since our founding, Future of Music Coalition has provided musicians, managers and labels with the in-the-trenches details about how performers, songwriters and labels are each compensated when their music is either streamed or downloaded on an array of music services. read more
[…] Charles McEnerney of Layers Marketing, who produced the event, kicked off the evening with a review of results from the Future of Music Coalition “Money from Music” research project.
The project, which analyzes the many revenue streams of working musicians — based on comprehensive online surveys and offline interviews — reflects the impact of technology on the music industry in general. While we may have a general gut instinct that technology has empowered the individual musician, check out the FMC’s analysis for some interesting insights into the phenomenon. […]
On Wednesday, Dec. 16, Future of Music Coalition will participate in a FREEEducause Live! webinar about — what else? — music, technology and policy.
FMC Education Director Kristin Thomson and Policy Director Michael Bracy will take part in a session called “Music 2.0: Revenue Streams, Consumer Behavior and Policy Issues.” Here’s the official description:
Well, we hope everyone had a nice long weekend (if you got one, that is). We at FMC took a couple of days to unwind from the 2009 Future of Music Policy Summit, which took place from Oct. 4-6 at Georgetown University in Washington, DC. If you were there, you know how awesome it was. Hopefully the rest of you were able to catch the live webcast.
But we haven't exactly been slacking since this year's Summit wound down. Our Education Director, Kristin Thomson has been hard at work putting together slides and documents related to the musician-oriented programming from Sunday, Oct. 4. read more
OK, a day or so after my panel at the fantastic Future of Music Policy Summit, and I want to try and toss out a few thoughts.
First off, while I?m typically not real big on conferences, I can enthusiastically recommend this one. The values of the conference and the caliber of speakers/workshops makes this - in my mind - the go-to conference. Get yourself registered for 2010 asap.
So, my panel was entitled New Musician?s Toolbox. I moderated, and the panelists were: Duncan Freeman, founder, Band Metrics; Charlie McEnerney, Host + Producer, Well-Rounded Radio/Musicians for Music 2.0; and Alexis Rodich, Director of Marketing and Partner Relations, BandsinTown. Excellent panelists all, and certainly people/companies committed to adding value. I urge you to check out each of these companies.
I think what really hit me about the conference was that it?s the first time where I felt like the expectations of the attendees wasn?t completely whacked. I?ve been doing these conferences for longer than I care to remember, and, in fact, it was after a conference where I spoke, in which, simply because I had the suffix ?A&R? attached to my name, that my panel was over-crowded with a teeming mass of demo-wielding aspirants attempting to fast track themselves to a record deal, that I decided to write my first book telling people that foisting a demo on a fatigued record label executive in the hopes that this would somehow further your career may not be the very best strategy.