This post authored by FMC communications intern Olivia Brown
Metadata. Sounds like a android with irony issues. But it’s actually important to musicians and composers.
So what is it? Metadata is information that lives with every file on your computer. Through a mix of words and numbers, metadata describes files so that they can be managed by both the user and the system. In the case of a music file, metadata refers to the tags associated with a particular piece of music — such as the artist, album name, year of release, etc. These tags are definitely useful for the listener in keeping track of a digital collection. For artists, it’s about tracking for downloads and plays, which can ensure timely and accurate compensation.
Unfortunately, not all systems to organize metadata are created equal. Non-rock artists, especially jazz and classical musicians, have borne the brunt of some of the most poorly organized metadata out there. This is largely because the new business models are often developed with only popular music in mind.
When Jarrod Bramson of the indie-folk band The Solvents discovered that someone named Aron Lyrd was passing off Solvents songs as his own and selling them on iTunes, CDBaby and Amazon, he was understandably frustrated. As Bramson explained on his website:
“I joined a website called sonicbids.com because I wanted to submit an application to Bumbershoot. I was looking around the site, checking out other services they had to offer. I came across this company that helps artists submit their music to television and movie producers. I was interested so I started looking a little deeper. I noticed that at the bottom of their page, there are comments from artists that have submitted. For some reason or another, I noticed this guy, Aron Lyrd. His profile picture was him in a ninja suit with some nunchucks!
…..he just made me laugh for some reason. I had to check out his music…
…so I click on the featured song “orange ambition” on his E.P.K.(electronic press kit) and… MYSONGCAMEON!!!”
Upon further investigation, Bramson realized this nunchaku-bearing, big-talking musician was an amalgam of no less than five fairly distinct and acclaimed bands; all of the music Lyrd was selling appeared to be other people’s sound recordings with the song titles and artist data changed. Bramson contacted the digital retailers to try to have his appropriated songs removed from Lyrd’s catalog with mixed success. As of this week, CDBaby and iTunes have both yanked the infringing tracks, but they remain available for purchase at Amazon.
Recently, All Things Digital’s MediaMemo reported on some anonymous-insider murmurings (are there any other kind?) about Sony and other major labels prepping to launch a classical music-oriented digital store. (According to the rumors, jazz is a possibility as well.)
But why a genre-specific download store? Isn’t classical music available at other sites and services?
We've told you a bit about the amazing panels, special conversations and presentations at the 2009 Future of Music Policy Summit (Oct. 4-6, Georgetown University, Washington, DC), but we're also excited about the wide range of breakout sessions, side meetings and workshops that take place on Tuesday, Oct. 6. From legendary producer Sandy Pearlman's "The Cloud vs.read more
Today's entry was written by superstar FMC intern Dan Eno.
The word metadata may sound more Star Trek than rock star, but it is a critical issue for musicians trying to make a living via emerging digital revenue streams. But what is metadata? As important as it may be to ensuring proper paychecks, many musicians still do not know. read more
How Digital Services Fail Classical & Jazz Musicians, Composers, and Fans
Wednesday, October 16, 2013
This is an excerpt of material first presented by Jean Cook at CASH Music Summit in Portland,OR in August 2013.
There is a special kind of data that enables the discovery and consumption of music. It’s called metadata. This article describes two specific ways that services like Spotify, iTunes, Rhapsody, Google Music, and Pandora dramatically underserve the market for classical and jazz music because of the way they treat the metadata for these genres. But first, a little about what metadata is. read more