Kembrew McLeod

Creative License Book Tour | Philadelphia

April 19, 2011 - 6:00pm - 8:00pm
Philadelphia, PA
Creative License: The Law of Culture and Digital Sampling is a compelling new book that explores the complexities and contradictions in how music samples are licensed within the current copyright landscape. Including interviews with more than 100 stakeholders in the sampling community – from David Byrne, Cee-Lo Green, George Clinton, De La Soul, DJ Premier, DJ Qbert, Eclectic Method, El-P, Girl Talk, Matmos, Mix Master Mike, Negativland, Public Enemy, RZA, Clyde Stubblefield and T.S. Monk – Creative License puts digital sampling into an historical, cultural, and legal context. read more

Creative License Book Tour | DC

April 17, 2011 - 5:30pm - 7:00pm
Washington, DC
Creative License: The Law of Culture and Digital Sampling is a compelling new book that explores the complexities and contradictions in how music samples are licensed within the current copyright landscape. Including interviews with more than 100 stakeholders in the sampling community – from David Byrne, Cee-Lo Green, George Clinton, De La Soul, DJ Premier, DJ Qbert, Eclectic Method, El-P, Girl Talk, Matmos, Mix Master Mike, Negativland, Public Enemy, RZA, Clyde Stubblefield and T.S. Monk – Creative License puts digital sampling into an historical, cultural, and legal context. read more

Creative License Book Release

March 3, 2011 - April 30, 2011
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z’s song “Takeover”? Why doesn’t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as “Funky Drummer” and “Cold Sweat,” get paid for other musicians’ frequent use of the beats he performed on those songs? read more

Creative License: The Law and Culture of Digital Sampling

Creative License: The Law and Culture of Digital Sampling provides a comprehensive, interdisiplinary look at the issues at the intersection of culture, creativity, compensation and technology. Co-authored by Kembrew McLeod and Peter DiCola, with contributions by Jenny Toomey and Kristin Thomson, the book includes interviews with over one hundred stakeholders in the sampling culture — from samplers, to attorneys, to license clearance experts, managers and record label owners. It examines the analog history of sampling, bringing an informed economic and legal analysis of the sample license clearance process in line with how the system works. In the final chapters, the authors examine a handful of proposals that would streamline the licensing process, but each “solution” has its own costs. Is it possible for society to achieve a balance that allows creativity to flourish but also fairly compensates original creators?

Creative License will be published by Duke University Press in 2011.

Syndicate content