Over the last year, we’ve watched with excitement as the Federal Communications Commission (FCC) has granted new construction permits for over 1500 new low-power FM (LPFM) radio stations across the country. These new stations are claiming space on the public airwaves to better represent the full diversity of American voices, and include stations run by community groups, activists, churches, labor unions, and college students. These stations may only have a range of a few miles, but their impact on their local communities, including musicians, can be immense.
Now, some community radio advocates have asked the FCC to allow these stations to expand their reach. A petition currently under consideration at the Commission would create provisions for LPFM stations that meet certain criteria to broadcast at 250 watts rather than just 100, thus expanding their geographic reach and allowing more listeners the chance to tune in.
Today, House Republicans approved legislation that would prevent the Federal Communications Commission (FCC) from implementing its Open Internet Order—rules set to go into effect this Friday, June 11. The worst part about this Congressional malarkey is that it is tucked into an appropriations bill that includes a whole bunch of other stuff that has nothing to do with net neutrality. read more
As Congress prepares for a week-long break at the end of May, it’s a good time to review some recent developments. Last month, Rep. Anna G. Eshoo (D-CA) and Rep. Marsha Blackburn (R-TN) reintroduced their Protecting the Rights of Musicians Act (PRMA), which was originally introduced in May 2014. The bill’s main focus is ensuring that performers and record labels receive compensation for over-the-air play on AM/FM radio, something FMC has supported for over a decade. Currently a loophole in U.S. copyright law allows AM/FM radio broadcasters to circumvent the payment of royalties, while digital radio is still bound to pay everyone from performers and record labels to songwriters and publishers.
If you’ve ever negotiated with bandmates about where to eat after a gig, you know that musicians can have strong—and sometimes divergent—opinions about a lot of different things. Expand that to the broader music community—which includes independent and major record labels, managers, advocacy groups, artist unions and fans—and it gets even more complex. (Are we still talking about grub? Kinda getting hungry ourselves.)read more
On May 12, 2015, Future of Music Coalition filed the following reply comments to the Federal Communiations Commission (FCC) in the agency’s review of commercial broadcasters’ petition to eliminate on-air disclosure of paid programming.
Before the Federal Communications Commission Washington D.C. 20554
WASHINGTON, DC— Today, Comcast officially confirmed its decision to walk away from its 45-billion dollar deal to acquire Time Warner Cable. This merger was widely criticized by creators and consumers alike, and had previously been greeted with skepticism by the USDepartment of Justice (DOJ) and Federal Communications Commission (FCC). read more
WASHINGTON, DC— Today, Comcast officially confirmed its decision to walk away from its 45-billion dollar deal to acquire Time Warner Cable. This merger was widely criticized by creators and consumers alike, and had previously been greeted with skepticism by the US Department of Justice (DOJ) and Federal Communications Commission (FCC). read more
[UPDATE: Numerous media outlets—including the New York Times—are now reporting that Comcast is walking away from its 45 billion dollar plan to acquire Time Warner Cable.]
Cable giant Comcast seemingly has it all: ownership of a major content studio (NBC Universal), the biggest slice of the cable and broadband market and an army of lobbyists and lawyers ready to press their advantage at the state and federal level.
But sometimes even MegaComcast has a bad week. read more
On April 10, 2015 FMC filed comments before the Federal Communications Commission (FCC) in oppposition to a petition previously submitted the Radio Broadcasters Coalition that would legitimize payola—the practice of radio programmers accepting cash or other enticements in exchange for airplay.
If a radio station is playing music because a giant record company paid them to do so, at the very least they have to make an explicit announcement saying so, over the air, at the time of broadcast, as federal law requires.
Followers of our work over the past 15 years know that we’ve always taken a stand against against payola—the practice of well-heeled music companies giving cash or other enticements to big broadcasters in exchange for radio airplay. Technically, this practice is only illegal if it is not disclosed over the airwaves when the paid-for music is played. But over the years, the broadcasting conglomerates have found workarounds. Most recently, they established a system of so-called “independent promoters” who would funnel cash or other goodies to broadcasters without the major labels ever dirtying their hands. (Our Payola Education Guide offers a great overview of this pernicious practice.) read more