The interests of EMI’s publishing arm may not necessarily be those of the songwriters it represents. As it is now, ASCAP takes a fee from payments it collects, then distributes the rest of the money equally between songwriter and publisher. Casey Rae-Hunter, of the nonprofit advocacy group Future of Music Coalition, says the big music publishers don’t have the same obligations to songwriters that ASCAP does to those same people, its members.
“What is EMI’s responsibility to the songwriters who are part of their publishing empire, and can we trust that this company is going to honor the 50-50 split that songwriters have worked out and honored over the years?” Hunter asks.