[this post by Communications Associate Kevin Erickson and Communications Intern Oliva Brown]
There were several surprises in store at the November 27, 2012 House Judiciary Subcommittee on Intellectual Property, Competition and the Internet hearing “Music Licensing Part One: Legislation in the 112th Congress.” The first surprise was that the main bill under question — the Internet Radio Fairness Act, introduced by Jason Chaffetz (R-UT) — had been renamed. IRFA, which argues that royalty rates for webcasters should be calculated using the same standard that is currently applied to satellite radio, was now rechristened “Internet Radio Freedom Act.” While slapping the word “freedom” on anything and everything is a longstanding Washington tradition, it also had the unfortunate side-effect of underscoring a key criticism of IRFA: that the bill would almost certainly result in a steep cut to artist payouts from services such as Pandora, something many artists see as anything but fair.
But the biggest surprise was that the topic du jour turned out to be another longstanding point of contention in the broadcasting realm: the lack of a terrestrial radio performance right in the United States. Meaning, good-old fashioned radio still does not compensate performers and sound copyright owners even though digital broadcasters do. (So does the rest of the industrialized world; for more information, check out our Public Performance Right fact sheet.)
