Although some may question the importance of niche broadcast radio stations when an online radio station can be set up with little overhead, Michael Bracy, policy director for the Future of Music Coalition, said LPFM can reach people an online station may not, as well as allow people in those communities to make their voices heard.
“In terms of economic justice, and who actually gets to talk, a lot of people who are still listening to radio as a predominent communications form are the people who don’t necessarily have access to broadband,” Bracy said. “They’re also the ones that aren’t really targeted by commercial media, and frankly, when you look at the demographics they’re not particularly well-served by public radio.” read more
[…]I reached out to Alex Maiolo, who is a musician and a health insurance consultant for the Future of Music Coalition, and he had some specific advice: “Insure for the worst case scenario.” Maiolo suggests that young, healthy musicians without families get plans with higher deductibles, because what you want is a stop loss for catastrophic and emergency situations. “It’s going to be easier for musicians to come up with the $5,000 deductible payment via benefit concerts, ” says Maiolo, “rather than half a million dollars for uninsured treatment after the fact.” read more
[…]So is it time for artists to strap on a hard hat? Maybe unions or artists’ guilds can serve and protect an embattled creative class. With musicians typically operating without record labels, journalists increasingly working as freelancers as newspapers shed staff, and book publishing beginning what looks like a period of compression, unions might take some of the risk and sting out of our current state of creative destruction.read more
I reached out to Alex Maiolo, who is a musician and a health insurance consultant for the Future of Music Coalition, and he had some specific advice: “Insure for the worst case scenario.” Maiolo suggests that young, healthy musicians without families get plans with higher deductibles, because what you want is a stop loss for catastrophic and emergency situations. “It’s going to be easier for musicians to come up with the $5,000 deductible payment via benefit concerts, ” says Maiolo, “rather than half a million dollars for uninsured treatment after the fact.”
Music and government may not seem like they have much in common. But four panelists did their best to convince an audience at SXSW that they were, in fact, hopelessly intertwined.
“These issues are breathtakingly complicated,” said the panel’s moderator, Michael Bracy, policy director at the Future of Music Coalition. “How do you build a regulatory structure for a market that is changing so rapidly?” read more
Every year South by Southwest (SXSW) seems to get bigger and bigger, with a growing interactive conference, film festival, and long-time music event.
The music festival begins today and runs through Sunday, March 17th. For radio fans, some of the offerings include panel discussions, radio station-sponsored events (showcases, live remote performances, etc.), and radio-related meet-ups. Here’s a quick look at some of the radio panels, parties, and films happening this week.
What if there was a copyright enforcement policy and the Internet didn’t break?
In July of 2011, several Internet Service Providers announced a “Memorandum of Understanding” with major entertainment industry groups. In this memorandum, ISPs agreed to implement a “graduated response” program to educate and potentially penalize internet users suspected of sharing or downloading unauthorized copyrighted material. Fast-forward to last week, when the Copyright Alert System (CAS) was officially activated under the auspices of the newly-formed Center for Copyright Information (CCI). read more
Fourteen years after Napster upended the music industry’s financial model, it may finally be time for record labels to start singing a happier tune. Sales are up, piracy is down, and new revenue streams may help the industry finally claw its way back to economic prosperity.
Speaking at the SF MusicTech Summit last week, the disgruntled musician held court on a panel that also featured Incubus manager Steve Rennie, and Kristin Thomson from the Future Of Music Coalition, though they struggled to get a word in.
Having a vast knowledge in the field, Thomson got little airtime other than to duly point out that this problem isn’t new and isn’t just a product of internet streaming, as MTV, “even in its golden era”, didn’t pay their musicians royalties either.