Part two of a series by Policy Fellow Rachel Allen
We all know what it’s like to be stuck in traffic at rush hour. We may remember a time when there were less cars on the road, and you could count on getting to where you want to go. But now there are more cars than ever and only a few lanes to travel on. What’s worse is, the tolls for getting on this highway keep going up and up. read more
Part one of a series by FMC Policy Fellow Rachel Allen
In the past few years, streaming music and video have changed the way artists connect with fans. Popular music services such as Spotify and Pandora, high-quality video sites like Vevo, and a number of other digital platforms and applications have been important tools for fans to discover music and for artists to get paid for their work (even if the business models aren’t uniformly agreed upon). Recent studies have found that applications for music comprise the fastest growing activity among mobile phone users. Moreover, artists like Jay Z and Lady Gaga, as well as smaller acts such as Dan Deacon, are using mobile applications to create new interactive music experiences (but as was the case with Jay Z, not all of these experiments are embraced).
Why do we bring this up now? Well, streaming music and video services would not be possible without access to high-speed broadband. However, as the music and video industries go mobile, the price and quality of connections has become more and more uncertain.
This series will explore how the evolution of the Internet impacts musicians and other creators—whether the connection is on a desktop, a laptop or a mobile device. We’ll explore the ins and outs of how artists connect, and why accessible technology platforms are essential to today’s creative entrepreneurs.
Today, Federal Communications Commission Chairman Julius Genachowski announced that he would be stepping down from his post, which he has held since the 2008 election of President Barack Obama. read more
WASHINGTON, DC—Today, Federal Communications Commission Chairman Julius Genachowski announced that he would be stepping down from his post, which he has held since the 2008 election of President Barack Obama.
The following statement is attributed to Casey Rae, Deputy Director of Future of Music Coalition (FMC), a national non-profit research, education and advocacy organization for musicians.
“News of Chairman Genachowski’s departure was not unexpected, and comes at a crucial time for the FCC in terms of its commitments to an accessible media and communications environment for America. read more
Readers of this blog are probably familiar with the concept of “net neutrality” and why it matters to musicians. But let us remind you anyway.
All of the amazing internet tools that musicians and music entrepreneurs use every day are a result of the open internet, which gives anyone a license to innovate. Without basic protections to preserve this dynamic, the internet we know and love could become extinct. We’ve seen that movie before: just look at commercial broadcast radio to see what happens when just a few powerful companies control access to audiences and what content is even available. read more
Future of Music Coalition joined a broad array of consumer, creator and public interest groups urging Congress to approach “voluntary spectrum auctions” in a manner that preserves innovation, openness and competition. As mobile spectrum becomes a primary means for internet connectivity, we suggest that the potential for further innovation be preserved in order to bring robust, affordible broadband to more Americans.
February 13, 2012
The Honorable Henry Waxman
2204 Rayburn House Office Building U.S. House of Representatives
Washington, D.C. 20515
Re: Spectrum Provisions in the Payroll Tax Extension Bill read more
File sharing site MegaUpload has recently been in the sights of both the RIAA and MPAA for hosting copyrighted content. In an ironic (and immensely satisfying) twist, a new video surfaced today from artists whom the RIAA claim to represent that sings the praises of MegaUpload.
The video was commissioned by MegaUpload founder Kim Dotcom and features the likes of P. Diddy, Kanye West, Will.i.am, Snoop Dogg, Alicia Keys, Jamie Foxx, Lil John, and more. read more
Under current law, any U.S. website posting infringing content has to take the song or movie down at the request of whatever company owns the copyright. But under SOPA, companies could go directly to web hosting companies and require them to take down the entire website — not just individual songs and videos.
As a result, SOPA creates a new opening for corporate command of the Internet. Under SOPA, web hosting companies that take down legitimate websites at the behest of copyright holders would be granted blanket immunity from any liability for losses caused to those legitimate sites. read more