Whether you’re looking for some holiday gift ideas or planning to spend some downtime by the fire this winter, here’s a selection of music books we especially enjoyed this year. We suggest picking them up at your local independent bookseller. Have we missed one of your favorites? Let us know in the comments!
I’ll Take You There: Mavis Staples, the Staple Singers, and the March Up Freedom’s Highway
by Greg Kot (Scribner)read more
Almost two weeks ago Sohrab went to DC performing at The October Revolution in Jazz event at Union Arts curated by Luke Stewart and attending the two days 14th Future of Music Policy Summit at Georgetown University. Future of Music Coalition (FMC) is a U.S. 501(c)(3) national non-profit organization specializing in education, research and advocacy for musicians with a focus on issues at the intersection of music technology, policy and law.
KENNEALLY: In the music industry, the calls for transparency come from many angles. Musicians want transparency in accounting and royalty distribution. Indie labels want more information about negotiations with streaming services and others. Songwriters, too, worry about the lack of transparency in direct deals made between publishers and platforms.
For the Future of Music Policy Summit, David moderated the panel Whose Transparency Is It, Anyway? And he joins me now on Beyond the Book. Welcome to the program, David Herlihy.
It looks as though the FCC is favoring a hybrid approach to net neutrality.
Four days ago, FCC commissioner Mignon Clyburn delivered remarks to the Future of Music Coalition Policy Summit, held at Georgetown University in D.C. Clyburn said that the FCC looks to be “a ‘facilitator of opportunities,’ and a ‘connector of the disconnected,’” continuing to say they want to be “a strong advocate for free enterprise and robust competition. I support allowing markets the chance to solve problems, while remaining focused on the consumer.” Clyburn’s remarks seemed to indicate the FCC’s move towards a hybrid solution to the debate, repeatedly stressing the importance of an agnostic approach to consumer data, while “promoting competition” between companies. read more
It’s a strong statement to call your coalition The Future of Music, but the topics discussed at their yearly policy summit impact how musicians, music fans, and music industry types can work together to make the future of, well, music a little more promising. Of course, there are significant systematic issues that keep everyone in the industry from proper compensation. Figure that out, and you save the future of music.
Here’s my Twitter timeline from Day 2 of The Future of Music Policy Summit. (Click here for collected tweets from Day 1.) After attending this event, I think I’m a little more informed on what musicians need to know about music business, law, and policy — or at least, I now know what I don’t know, and have a better idea of how to learn more. That’s a very valuable thing!
For better or worse, new content platforms have permanently transformed the music industry, but they’re not always a boon for fledgling bands. CD Baby CEO Tracy Maddux was in town for this year’s Future of Music Policy Summit. Technical.ly DC took the occasion to ask him about being an indie artist in the age of YouTube.