Future of Music Coalition submitted the following testimony in June 10 and June 25, 2014 House Judiciary subcommittee hearings on “Music Licensing Under Title 17, Part One and Two.” As Congress reviews existing copyright law, we recommend that it consider the needs of creators alongside the goal of expanding the legitimate digital marketplace.
Chairman Coble, Vice-Chairman Marino and members of the committee, it is a privilege to submit the following testimony for the record in this important hearing on music licensing.read more
Back in August 2012, the band requested $2.5 million in damages for copyright infringement of several songs—along with false endorsement—all arising from a promotional video Monster made for a Canadian snowboarding event, “Ruckus in the Rockies.” While Monster conceded that it did infringe the Beastie Boys’ work, it claimed the infringement was an accident and that damages should only be around the $125,000 mark. read more
WASHINGTON, DC—Today, Representatives George Holding (R-NC) and John Conyers (D-MI), introduced the RESPECT Act, a bill meant to create a limited performance right for the use of sound recordings by satellite and Internet radio companies.read more
by Communications Intern Griffin Davis and Communications Associate Kevin Erickson
Last week, the video-hosting site Vimeoannounced that it would be implementing a copyright identification system called Copyright Match, which is meant to prevent unauthorized copies of works from being uploaded and viewed on Vimeo. Though its benefits to artists may have been a consideration, it’s a safe bet that Copyright Match is also intended to protect Vimeo from lawsuits like the one they are currently involved in with the major labels, while avoiding the headache of processing DMCA takedown notices, which is a frustration for copyright owners as well as service providers.
Future of Music Coalition submitted the following comments to the United States Copyright Office in its Notice of Inquiry on the Music Licensing Study. We examine the state of music licensing in America, and how the current regime impacts musicians, songwriters and independent labels.
Event hosted by the United States Copyright Office and the World Intellectual Property Organization
Tuesday, May 13, 2014
My name is Casey Rae and I’m the VP of policy and education for Future of Music Coalition, a Washington, DC-based national nonprofit organization for musicians. Future of Music works in three areas: research, education and advocacy. We came together back in 2000, right around the time of the initial digital disruption. Over the last 14 years, we have analyzed and documented trends in the music sector, translated complex policy and legal issues for our musician and composer constituency, and produced original research on everything from artists’ access to healthcare to commercial radio consolidation to our most recent study on artist revenue streams. read more
From explicit lyrics that scandalized Tipper Gore in 1984 to lawsuits against YouTube&The Pirate Bay in 2007, Prince Rogers Nelson has never been afraid of controversy. Last week the genre-defying musician proved once again that he hasn’t run out of ways to shock us: he signed a new deal with Warner Brothers Records. read more
At FMC we’re all about artists getting paid for the use of their work, particulary when the music is used by large, publicly traded companies. But if the labels are so keen to make sure that performing artists (or their heirs) are being properly compensated, there’s a better way to do it.