On November 4, 2008, America gave a sweeping mandate to Barack Obama and Democrats in the House of Representatives and the Senate. What does this mean for the music community? While we are still weeks away from determining some of the details how this will shake out – including who will lead the FCC and the makeup of key committees in Congress – this brief update spells out some key themes that will determine the direction of the media, internet and IP policy issues that will affect the future landscape for the music community.
Today brings news of a new coalition that has come together to advance specific perspectives around music licensing reform. The MIC Coalition is comprised of such companies and organizations as Amazon, NPR, the National Association of Broadcasters, the Hotel and Lodging Association, Google, the National Restaurant Association, Pandora, Digital Media Association, the Consumer Electronics Association, iHeartMedia and others. read more
WASHINGTON, DC— Today, Reps. Jerrold Nadler (D-NY), Marsha Blackburn (R-TN.), John Conyers Jr. (D-MI.), and Ted Deutch (D-FL.) introduced the Fair Play Fair Pay Act of 2015. Among other things, the bill would establish a public performance right for terrestrial radio, enabling musicians and sound recording owners to collect royalties when their music is played on AM/FM radio.
On Monday, April 13, Reps. Jerrold Nadler (D-NY), Marsha Blackburn (R-TN.), John Conyers Jr. (D-MI.), and Ted Deutch (D-FL.) introduced the Fair Play Fair Pay Act of 2015—a bill that, if passed, would accomplish a handful of things. The centerpiece of the legislation is the establishment of a public performance right for AM/FM radio. This would mean that performers and labels would be able to receive compensation for terrestrial radio airplay, a right that already exists in the rest of the developed world. read more
When you read about music industry issues in the news, does it feel like it’s connected to your life? Do you see yourself reflected or hear your concerns included? These questions were on my mind most recently last week, as rapper Jay Z was joined by a crowded stage of pop superstars to roll out the music streaming service Tidal. It’s something I think about every time a big music news story bubbles up. read more
Rumors are flying around about the US Department of Justice (DOJ) potentially changing the rules that govern how performing rights organizations (PROs) ASCAP and BMI negotiate, collect and distribute publisher and songwriter royalties. read more
Post co-authored by FMC policy intern Bryce Cashman
Add another point to the artist rights scoreboard: Village People songwriter/performer Victor Willis has succeeded in reclaiming a 50 percent stake the ownership of classic songs that he co-wrote, including the indelible disco smash “Y.M.C.A.” read more
Yesterday (March 10, 2015), a verdict came in the closely watched copyright infringement lawsuit brought by the family of late soul singer Marvin Gaye against the creators of the monster hit “Blurred Lines.” A jury found defendants Pharrell Williams and Robin Thicke liable and a judge awarded Gaye’s children a reported $7.4 million in damages.
Since the news broke, there has been a flurry of commentary about what the verdict means for copyright law, particularly whether the jury’s decision will lead to an uptick in lawsuits around songs that are similar in “feel” to an existing composition. read more
Today, the United States Copyright Office released Copyright and the Music Marketplace, the result of last year’s Music Licensing Study—a project that combined roundtables in various cities with opportunities for written comments from stakeholders and the public. (FMC participated in the roundtables and official docket; see our initial comments here; reply comments here.)
There’s so much in the 245-page report that it’s impossible to offer a full breakdown of the recommendations in a single blog post. In fact, we’re still making our way through it, but the Executive Summary provides an overview of many of the key provisions. We certainly respect the effort it took to produce such a detailed report, and commend Register of Copyrights Maria A. Pallante for taking the initiative with such a thorny and complex issue set.