On November 4, 2008, America gave a sweeping mandate to Barack Obama and Democrats in the House of Representatives and the Senate. What does this mean for the music community? While we are still weeks away from determining some of the details how this will shake out – including who will lead the FCC and the makeup of key committees in Congress – this brief update spells out some key themes that will determine the direction of the media, internet and IP policy issues that will affect the future landscape for the music community.
The House Judiciary Subcommittee on Courts, Intellectual Property and the Internet held its second hearing on music licensing on June 25, welcoming input from a variety of interest groups and organizations as a continuation of the ongoing reexamination of our country’s copyright system. You can find our coverage of the prior hearing here.
Nine witnesses testified before the committee, offering opinions that varied in focus but all highlighted major areas of potential reform. Witnesses for this hearing included singer/songwriter Rosanne Cash representing the Americana Music Association, Cary Sherman (CEO of the Recording Industry Association of America, or RIAA), Charles Warfield on behalf of the National Association of Broadcasters (NAB), Darius Van Arman on behalf of the American Association of Independent Music (A2IM), Ed Christian of the Radio Music License Committee (RMLC), Paul Williams as President of the American Society of Composers, Authors and Publishers (ASCAP), Chris Harrison of Pandora, President of SoundExchangeMichael Huppe, and David Frear, CFO of Sirius XM.
Earlier this month, Bloombergreported that streaming music host SoundCloud was close to finalizing licensing deals with the three major labels. The deals would reportedly grant each label an ownership stake in SoundCloud of 3-5 percent in exchange for their agreement not to sue over copyright infringement on SoundCloud. Meanwhile, a mini-controversy has erupted over Soundcloud’s implementation of its copyright enforcement procedures, making it important to separate fact from fiction.
There’s a reason FMC is so often aligned with independent labels: this community, representing a diverse array of genres and business models, typically does right by artists. Today’s news that more than 700 indies are backing fair treatment of musicians is further proof that indies have a different way of doing business than major labels.
Independent imprints including Domino, Cooking Vinyl, Epitaph, Glassnote, Nettwerk, Ninja Tune, Secretly Canadian, Saddle Creek, Sub Pop, Tommy Boy, XL Recordings and the Beggars Group (which includes indie powerhouses 4AD, Matador and Rough Trade) and many more signed on to the “Fair Digital Deals Declaration,” a commitment by the labels to treat artists fairly and equitably on today’s digital distribution platforms.
WASHINGTON, DC—On Tuesday, July 15, 2014 at 1PM, the House Judiciary subcommittee on Courts, Intellectual Property and the Internet will hold the latest in a series of hearings on current copyright law. Future of Music Coalition Vice President for Policy and Education, Casey Rae, will testify at a hearing on “Moral Rights, Termination Rights, Resale Royalty and Copyright Term.”
Rae, a musician, artist advocate and educator, will underscore the importance of creators’ ability to file to reclaim copyrights they had previously transferred to a label or publisher following a 35-year period established by Congress in the 1976 Copyright Act. read more
Yesterday (June 25, 2014), the House Subcommittee on Courts, Intellectual Property and the Internet held yet another hearing in its ongoing review of existing copyright law. (Our full recap is here; check out our coverage of the full series of hearings here.) Today, we’ll focus on one particular topic that has come up repeatedly in Congress and elsewhere: the lack of federal copyright protections for recordings made before February 15, 1972. read more
by Kevin Erickson, Communications Associate & Jordan Reth, Policy Fellow
You may remember back in March 2013, when Register of Copyrights Maria Pallante—our nation’s highest ranking copyright official—told the House Judiciary Subcomittee on Courts, Intellectual Property and the Internet, “Music licensing is so complicated and broken that if we get that right, we can get the whole [copyright] statute right.”
Well, after more than a year of hearings examining the nation’s copyright laws from many different angles, that same subcommittee finally tackled music licensing directly on June 10. It was a wide-ranging discussion, touching on multiple pieces of legislation currently under consideration, offering a preview of legislation around the corner, and laying out a range of views of how music licensing ought to be structured.