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Page: Creative License: The Law and Culture of Digital Sampling

Creative License: The Law and Culture of Digital Sampling provides a comprehensive, interdisiplinary look at the issues at the intersection of culture, creativity, compensation and technology. Co-authored by Kembrew McLeod and Peter DiCola, with contributions by Jenny Toomey and Kristin Thomson, the book includes interviews with over one hundred stakeholders in the sampling culture — from samplers, to attorneys, to license clearance experts, managers and record label owners. It examines the analog history of sampling, bringing an informed economic and legal analysis of the sample license clearance process in line with how the system works. In the final chapters, the authors examine a handful of proposals that would streamline the licensing process, but each “solution” has its own costs. Is it possible for society to achieve a balance that allows creativity to flourish but also fairly compensates original creators?

Creative License will be published by Duke University Press in 2011. read more

Blog: Montreal Artists Legal Clinic Launches in Canada

We just received word about a brand-new nonprofit organization in Canada called Clinique juridique des artistes de Montreal, or CJAM. For non French-speakers, that translates to the Montreal Artists Legal Clinic.

Read on for more info about this org and American groups that offer similar services. read more

Article: Principles for Artist Compensation in New Business Models

By Ann Chaitovitz
Apr 2 2009

Legitimate digital business models and legitimate digital music marketplaces are critical to musicians’ ability to promote, distribute and earn compensation for their music. Recently, a number of new models have been proposed that would compensate copyright owners through indirect means: shares of ad revenue, fees on physical devices or broadband access, or equity stakes in a company, for example. We encourage such talks and experimentation. However, the needs of those who actually create the music – the performers and songwriters — cannot be overlooked in any discussions between corporate content owners and the businesses that use the music. FMC believes that any new business models should embrace the following principles: read more

Article: Principles for Artist Compensation in New Business Models

Translated into Plain English
By FMC staff
Apr 2 2009

Legitimate digital business models and legitimate digital music marketplaces are critical to musicians’ ability to promote, distribute and earn compensation for their music. This document translates the Principles for Artist Compensation in New Business Models. read more

Article: Live Nation/Ticketmaster Merger — How Would it Affect Musicians and Consumers?

By FMC staff
Feb 28 2009

Concert ticket giant Ticketmaster and the world’s largest concert promoter, Live Nation have proposed a merger that would see many music industry services — ticketing, promotion, venues and artist representation — combined in one company. On February 24, 2009, the U.S. Senate Judiciary Committee held a hearing on the matter that included representatives from both Ticketmaster and Live Nation, as well as the independent promotions/ticketing and public interest sectors. The House Judiciary Committee took up the issue on February 26, 2009. In the interest of providing a balanced look at the possible pros and cons of the proposal, FMC solicited statements from experts on both sides of the debate, which are included here. read more

Blog: Last Week In News?

We just realized that we didn’t give you our customary news roundup last week. So we’re making up for it with a Monday post of all the happenings in the music-tech-policy universe. read more

Blog: This Week In News

Yahoo! to stop supporting Yahoo! Music after September 30
Starting Oct. 1, customers won’t be able to revive frozen tracks or move working ones onto new hard drives or computers, because Yahoo! won’t be providing any more keys to the songs’ DRM wrappers. Without the keys, the music is stuck. If a user’s computer goes on the fritz, say good-bye to Yahoo’s music. This situation epitomizes the problem we laid out in our last post about the Library of Congress.
Chris Gaither, LA Times read more

Blog: Last Week In News

A full version of This Week in News will be out on Friday, but here are a few highlights from last week.

Should musicians be paid by social network sites?
After AOL bought social networking site Bebo for $850 million, songwriter Billy Bragg wonders why artists don’t receive royalties. He reasons that musicians help attract users, and the sale of the website for such a staggering sum clearly indicates that these users have significant monetary value.
New York Times, March 22nd read more

Blog: This Week in News

Recording Industry Should Brace for More Bad News
The exodus of big-ticket artists like Robbie Williams from EMI could be an indicator of things to come. The author argues that traditional labels are becoming obsolete as consumer habits change.
Author: Wayne Rosso
CNET News, January 18, 2008 read more

Blog: This Week In News: Friday, September 7, 2007

The Music Man
An interview with Rick Rubin, co-head of Columbia Records, sheds light on the music industry and how it can be saved amidst the impacts of file-sharing.
by Lynn Hirschberg, The New York Times, September 2, 2007

Apple Supersizes iPod Capacities, Labels Unenthusiastic
Apple now offers its popular iPod with 80GB and 160GB capacities. However, labels worry that those who do fill their 160GB devices to capacity will be filling it with pirated video and audio rather than purchased content.
by Paul Reskinoff, DigitalMusicNews, September 5, 2007 read more

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