Today’s music landscape is filled with both excitement and foreboding. With so many new technologies and ways to promote and distribute music, how do performers, composers, songwriters and independent labels know how to participate, who to trust, and what is most effective?
FMC worked with the Old Town School of Folk Music and other musician organizations to program our fifth “What’s the Future for Musicians?” educational event, this one in Chicago on One Web Day — September 22, 2008. read more
We're currently in the midst of another "Snowpocalypse" here in Washington, DC, but we figured a blog post would give us a nice break from all that shoveling.
Today, reports emerged about Warner Music backing off of "free" music streaming. As digital entrepreneurs and rights holders continue to explore ways to get fully-licensed music to the masses via the internet and mobile, issues in licensing and revenue generation continue to bedevil players on all sides. read more
For those of you who watched the Grammy Awards on Sunday night (and apparently there were more of you this year than any year since 2004), you may have had a feeling of déjà vu when you saw virtually the same group of stars that clustered together in 2009, 2008, etc. Does this perhaps remind you — at least a little— of the 1993 film Groundhog Day? You know, like Bill Murray’s character hearing “I Got You Babe” every morning?
Now, if you happen to want to hear the same song at the same time every day, that’s fine with us. But sometimes it’s fun to let the needle find a new groove. read more
By now, you've probably heard all about the iPad and seen the pictures of Steve Jobs displaying his new "tablet" in a manner undoubtedly familiar to the late Charlton Heston. So far, reaction to the device has been mixed at best, with some people already lining up to take potshots at Apple's latest doohickey.
We still think it's pretty neat, mostly because we're curious about what it could mean for the music biz, which is still struggling to find an attractive replacement for physical product. And as long as whatever new gadget plays nice with independent and unaffiliated creators who want to join the digital party, we're cool. read more
In 2006, OK Go’s video for “Here It Goes Again” — also affectionately known as “the treadmill video” — became a web sensation. By decade’s end, it had been viewed approximately 50 million times — no small feat for a homemade clip. Although the video made its biggest splash on sites like YouTube, many fans embedded it on their personal pages and social networks. At which point “Here It Goes Again” went viral, increasing the band’s exposure on a global scale and boosting the band’s record sales (and the bottom line of their major label, EMI). read more
On Wednesday, Dec. 16, Future of Music Coalition will participate in a FREEEducause Live! webinar about — what else? — music, technology and policy.
FMC Education Director Kristin Thomson and Policy Director Michael Bracy will take part in a session called “Music 2.0: Revenue Streams, Consumer Behavior and Policy Issues.” Here’s the official description:
If you've been following the music-tech news lately, you've probably heard about the rather sudden and unexpected acquisition of digital music service Lala by Apple, Inc. Speculation has run rampant about why the country's largest music retailer — which sells individual music downloads via its iTunes store — would purchase a company that's made a name for itself via "cloud-based" access. read more
Will MOG be the service that makes streaming subscription take off in the US market? That's the question music industry observers are asking today, as the web-based streaming/recommendation music service unveils its buzzed-about monthly streaming subscription service. One thing's for sure: you can't beat the price. MOG is charging a mere 5 bucks a month for streaming, on-demand access to a huge catalog of music, all legally licensed from record labels and publishers. MOG is also letting potential customers try the service for free, for one hour. read more