Artist Compensation

Metadata for Musicians

February 3, 2016 - 6:00pm - 9:00pm
Philadelphia, PA
Metadata is all that information that identifies and describes your music. In some cases, metadata is text; composer and musician names, recording dates, genre. In other cases, it’s numeric data; UPC barcodes and ISRC codes. As the music landscape becomes increasingly digital and global – and where success is measured in streams and plays in addition to sales – proper metadata management is becoming an important part of every release workflow. read more

When Are People Going To Stop Proclaiming The Death of the CD?

What do punk rock, journalism and the compact disc have in common? It’s become weirdly popular to loudly, and falsely, proclaim that they’ve met their end.

CDs are dead!” howl the media pundits. “Vinyl is more important! Streaming is the new torrenting! Burn your outmoded discs in a trash fire!” It’s a cliche rapidly approaching peak hysteria, and even big news sites like CNN, Huffington Post and the Smithsonian are in on the action. But is it really that simple? read more

Submitted by kelsey on December 10, 2015 - 2:52pm

Major and Indie Labels Will Be Paid The Same Webcasting Rates… For Now

Independent labels and artists had something extra to be thankful for this Thanksgiving.

In a November 25, 2015 ruling, the U.S. Copyright Office made it clear that webcasting royalty rates for the period covering 2016-2020 would treat major and independent record labels the same, as has been the case since the the establishment of a public performance right for digital transmission of sound recordings. Last week’s decision, handed down by Register of Copyrights Maria Pallante, is a response to the Copyright Royalty Board’s (CRB) question about whether the federal statute that provides for rate-setting (17 U.S. Code § 114) would permit different rates for majors and indies.

read more

Syndicate content