Search Results for Artist Activism

Blog: Erin McKeown on the Public Performance Right

Intro by Michael Bracy, Policy Director, Future of Music Coalition

Image credit: Nancy Palmieri

Those who have followed FMC’s work over the past decade know that we’ve been strong supporters of establishing a public performance right for terrestrial radio. Why? Because compensating performing artists directly for the use of their work is simply the right thing to do. (Check out our Public Performance Right fact sheet to learn more.)

On March 3, I spent a couple of hours on Capitol Hill with one of our favorite artists, the wonderful and talented Erin McKeown. As luck had it, we were able to attend a news conference hosted by the MusicFIRST Coalition that featured Dionne Warwick and top leaders from the civil rights community, all of whom endorsed legislation for a public performance right.

We thought it would be great if Erin could weigh in on how she views the issue as a working musician. Take it away, Erin! read more

Blog: Support Haitian Relief Now

Like so many other individuals and organizations, Future of Music Coalition is saddened beyond words at the devastation visited upon Haiti by the recent earthquake. Events like the Asian tsunami and Hurricane Katrina make us realize just how precarious our place on this planet is. But it also presents an opportunity for humanity to come together to help alleviate any amount of suffering that we possibly can.

Our friends at Air Traffic Control — who have worked with us in improving the lives of New Orleans artists struggling in the wake of Katrina — just sent this very useful roundup of ways to help. Musicians are especially encouraged to spread the word through their websites and social networks. Let people know what they can do to aid Haiti in this tremendous time of need.

IMMEDIATE SUPPORT:

Established disaster recovery organizations and national governments have been mobilized. These organizations are also raising funds for relief efforts:

Oxfam | Doctors Without Borders | Wyclef Jean’s Yele Foundation

LONG-TERM SUPPORT:

Crucial recovery and rebuilding efforts are always underfunded in comparison to immediate relief efforts. ATC will continue to research and resource the music community with organizations and projects working on long-term recovery efforts that have a long-standing, grassroots presence in Haiti. Here are three that have distributed staff in the country now and are well positioned to aid in the long-term recovery effort.

Partners in Health | Fonkoze | The Lambi Fund of Haiti

QUICK WAYS ARTISTS + THEIR FANS CAN HELP:

1. Donate and let your fans know how they can donate: Spread the word via band website/email/text/twitter/social networks etc. Feel free to rewrite the below suggested text or post as is.

2. Suggested Twitter text: Please RT: Support the Earthquake Relief Efforts in Haiti by making a donation to Oxfam’s Response Fund http://rev.ms/303

3. Suggested text for band websites + social network pages: On January 12, 2010, at 4:53pm local time, a magnitude 7.0 earthquake struck Haiti, approximately 10 miles from Port-au-Prince. Tens, if not hundreds, of thousands of people are feared dead, as the capital city has been devastated. You can help. Make a donation to one of these incredible and long-standing organizations in Haiti. They have distributed staff in country now, but most importantly, they are well positioned to aid in the long-term recovery effort.

Partners in Health: http://www.pih.org/inforesources/news/Haiti_Earthquake.html> Fonkoze: http://fonkoze.org/ The Lambi Fund of Haiti: http://www.lambifund.org/ read more

Page: File Comments at the FCC on the Open Internet

In October 2009, the Federal Communications Commission announced that it was accepting public comments on a Notice of Proposed Rulemaking (NPRM) about Network Neutrality and the Open Internet.

The FCC is seeking public input on draft rules that would codify and supplement existing principles to safeguard the Internet’s openness. This process is intended to secure and protect the many economic and social benefits of the open Internet by preventing anyone from restricting the free flow of lawful content and applications online.

  read more

Blog: This December, Help FMC Help New Orleans Artists

As you probably know, FMC exists to improve the lives of musicians. This holiday season, we wanted to highlight our efforts in New Orleans, where too many artists are still struggling years after Hurricane Katrina drove many from their homes and communities.

Since the storm, FMC and our partners have been doing our part to make things better for Big Easy musicians. Each year, we bring a group of artists from around the country to New Orleans to witness community rebuilding efforts firsthand. Over the years, we’ve been honored to share in this important work with such amazing artists as brass sensations Bonerama, Tom Morello (Rage Against the Machine, the Nightwatchman, Street Sweeper Social Club), Mike Mills (R.E.M.) OK Go, Erin McKeown, Patrick Hallahan (My Morning Jacket), Kimya Dawson, Hank Shocklee (Bomb Squad, Public Enemy), Alec Ounsworth (Clap Your Hands Say Yeah), Nicole Atkins, Wayne Kramer (MC5), and many more.

You can us help them keep up this important work by making a tax-free contribution to Future of Music Coalition. read more

Press Mention: Power to the People: Legislation Backing More Low-Power FMs Clears Key Hurdle

In this age of satellite and Internet radio, it’s easy to underestimate the importance of small, noncommercial terrestrial radio stations to independent artists.

There is a real disparity between people who can access the Web and satellite radio and those who can’t,” musician Erin McKeown says. “There are also a lot of people who listen to the radio in their cars out of habit, and it’s easier for them to flip to a new channel than convert to satellite.”

McKeown and others who say they owe their careers to small, noncommercial stations are celebrating a recent victory. On Oct. 15, the U.S. House Energy and Commerce Committee passed the Local Community Radio Act of 2009, which eases requirements on channel separation between low-power and full-power FM stations, paving the way for more LP FMs to appear on the radio dial. The legislation will now go before the House of Representatives for a full floor vote.

LPFMs—which typically have a range of three to seven miles with transmitters of up to 100 watts—have long been an important vehicle for ethnic, religious and local community programming. And LP FMs, especially those affiliated with colleges and universities, have provided vital exposure for niche music genres and independent artists.

Getting the bill out of the House committee represents a huge step forward, according to Michael Bracy, policy director at the Future of Music Coalition.

We had success getting the legislation through the Senate before, but this is the first time we got it past the House committee,” Bracy says. “There was a lot of consensus and not a lot of debate, either, which bodes well. I feel pretty optimistic it will pass the House in the next month and get through the Senate and signed by the end of this session. If this all happens, the licensing window would be late 2010 or early 2011.” read more

Article: Guess Who's Invited to the White House?

August 5, 2009
By Jean Cook & Casey Rae-Hunter

Since Barack Obama’s inauguration, many in the arts community have pondered what the change in leadership might mean for our field. It’s clear that the new president has some interest in music—he’s got Jay-Z on his iPod and even handpicked “long, strange trippers” The Dead to play at the Mid-Atlantic Inaugural Ball in D.C. But looking past the meeting of tye-dyes and power ties, what does this mean for cultural policy?

This article originally appeared at NewMusicBox.com read more

Press Mention: From the Desk of Scott McCaughey

McCaughey: I recently attended a retreat in New Orleans sponsored and led by the Future Of Music Coalition and Air Traffic Control, with the added participation of local organizations like Sweet Home New Orleans. There was sort of a dual purpose to the gathering: facilitating activism in the music community, as well as showing how local activism in New Orleans is helping the city and its musicians recover from the disaster of Katrina. read more

Blog: “HealthCare Remix” Discussion on Reform

On July 8, FMC will participate in a “HealthCare Remix” Discussion on Reform at the Service Employees International Union in Washington DC. For our part of the conversation, we’ll describe the Health Insurance Navigation Tool (HINT) — a free service that provides musicians with high-quality one-on-one info about their health insurance options, from a fellow musician/health insurance expert. read more

Blog: Erin McKeown Gets Cabin Fever in July

We at FMC are always psyched when we hear about artists making DIY work for them. Although you can’t paint with one brush when it comes to musicians — many have wonderful relationships with their labels — it’s clear that today’s performers don’t need big-time backing to make a record and get it out there. Case in point: Erin McKeown. read more

Press Mention: Galactic's Stanton Moore powers Tom Morello's new Street Sweeper Social Club album

Moore first met Morello in November 2006 when the guitarist came to New Orleans for a Future of Music Coalition concert at Tipitina’s. Two nights before the benefit, Moore performed at a party at the Mother-in-Law Lounge that Morello attended. As Moore recalled, Morello said, “Ask anybody who knows me — I hate drummers. But you’ve done nothing to offend me. You’re my new favorite drummer.” At Tipitina’s, they briefly shared the stage; Moore also performed with trombone collective Bonerama. read more
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