Moving into its sixth year in 2006, the FMC Policy Summit is a forum for musicians, lawyers, academics, policymakers and music industry executives to come together to discuss and debate some of the most contentious issues surrounding digital technology, artists rights and the current state of the music industry. Widely praised by advocates and industry alike, FMC’s Policy Summit has built a reputation as “a kind of Geneva where all sides in any number of contentious music industry fights can get together and play nice for a few days.” Even more importantly, the Policy Summits offer policymakers “a rare opportunity to hear musicians articulate their concerns in person instead of relying on competing lobbying groups that claim to espouse their interests” (Washington Post, May 6, 2004). It is our continuing goal to bring the best and brightest people together to discuss the most critical issues impacting our community. The Summits events direct the agenda towards guarding the value of music for musicians, and guarding access to music for music consumers. In addition, we look to the future and discuss the various models the music industry might adopt in coming years. It is our belief that by continuing to organize events such
as this one we will help the media, citizens, creators and our elected officials
and policy makers have a more sophisticated understanding of the opportunities
and effects of these new technologies on guarding the value of music for musicians,
and guarding access to music for citizens. About McGill University, Schulich School of MusicWith over 800 students, the Schulich School of Music has been named one of the top 12 music schools in North America. McGill has developed into Canada's artistic and academic leader for professional training and research in music. At McGill's Schulich School of Music, the art of music making and the science of music research work in tandem for the advancement of learning through musical experience. Building on these combined strengths, McGill's goal is to develop musicians who are as comfortable in the recording studio and research lab as they are on the performing stage, and scientific researchers in music who are as sensitive to artistic complexity as they are to scientific outcomes.
|
|
||||||||