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Future of Music Policy Summit 2002: Program Evaluation

January 7-8, 2002 • Gaston Hall, Georgetown University • Washington, DC

 

Please answer the following questions and provide feedback about this year's FMC Policy Summit so that we can make next year's Summit even better.

 

A. The Panels [remind yourself about panels]  
1. The panels covered important topics
2. The panels were informative
3. The panels were the right length of time
4. The panels were appropriate for CLE accreditation
   
B. The Panel Moderators  
1. The moderators were informed
2. The moderators did a good job balancing questions from the audience with questions for the panelists
   
C. The Panelists  
1. The panelists were informed
2. There was enough diversity among the panelists
   
D. Open ended questions about the panels  
1. Do you have any other thoughts about the panels, moderators or panels?
2. Do you have any suggestions of panel topics for next year's summit, or panelists we should approach?
   
E. The Keynote Speakers  
1. The keynote speakers were informed
2. The keynote speakers talked about important topics
3. The keynote speeches were the appropriate length of time
4. Any other thoughts about the keynote speakers?
5. Do you have any suggestions about other keynote speakers we could approach?
   
F. Special Events  
1. The Sunday night Pho dinner was fun
2. The ASCAP cocktail party was fun
3. The Last Train Home/Lester Chambers/Danielle Howle show was fun
4. Any other thoughts about the special events?
   
G. The Facilities/Catering  
1. Georgetown University is a convenient location in Washington, DC
2. Gaston Hall is a good room choice for a summit like this
3. The sound system in Gaston Hall was adequate (easy to hear panelists/speakers)
4. The breakfast/snacks/beverage selection was adequate
5. The catered lunch in Leavy Center was adequate
6. Any other thoughts about the facilities or catering?
   
H. Conference Logistics  
1. I registered for the conference this way:
2. I found it easy to register in this way
3. FMC website was informative about developing summit details
4. Onsite check-in was easy
5. Onsite volunteers/staff were helpful
6. Any other thoughts about pre-conference or onsite logistics?
   
I. The big picture  
1. I found the Policy Summit valuable
2. I thought the Policy Summit was well organized
3. The Policy Summit addressed important topics
4. The organizers invited panelists and speakers who are engaged and informed about these topics
5. My favorite panel was:
6. Any other thoughts about this year's Policy Summit?
7. Any "big picture" suggestions about next year's Policy Summit?
   
Information about you  
1. My role at the conference was:
2. My current role in the music/tech industry is:
3. I found out about the summit this way:
   
OPTIONAL: We hope to post some of the participants' comments about the Summit on our website. If you would like your comments to be considered for inclusion, please give us your name and email address:

   
Thanks very much for your feedback. Press "submit" to send it to us.



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Post-conference
quicklinks

Press Coverage
List of Participants
Notes, Speeches, CLE info
Archived Webcasts
Monday's Schedule
Tuesday's Schedule
Panelist Bios
Online evaluation form


The Many Futures of Music, Maybe One of them Real
By Jon Pareles
New York Times, January 10, 2002

The Scratchy Record Of the Online Music Debate
At Conference on Future, Stuck in the Old Groove
By David Segal
Washington Post, January 10, 2002; Page C01

Bill May Limit Musician Contracts
By Jeff Leeds
LA Times, January 8, 2002

more press coverage...

2002 Panelists
and Speakers

last update: 06/23/2002

Keynote Speakers:

Rep. Rick Boucher (D-VA)
Rep. John Conyers (D-MI)
CA State Senator Kevin Murray
Konrad Hilbers, CEO, Napster


Panelists:

Chris Amenita
VP New Media and Technology, ASCAP

Colleen Andersen
Business Development Manager,
MSN® Music

Dagfinn Bach
Artspages.org

John T. Baker IV
President and CEO, Loudeye

Jon Baumgarten
Attorney, Proskauer Rose LLP

Tim Bierman
Pearl Jam "Ten Club" manager

Eric Boehlert
Salon.com

David Bollier
Co-founder, Public Knowledge

Jose Bowen
Caestecker Chair in Music and
Director of Music Program, Georgetown University


Michael Bracy
Director of Government
Relations, FMC

Paul Brindley
Freelance Journalist/Head of Communications, MPA/MusicAlly

Whitney Broussard
Partner, Selverne Mandelbaum
and Mintz


Jim Burger
Attorney, Dow,
Lohnes & Albertson

David Carson
General Counsel,
US Copyright Office


Ann Chaitovitz
Director of Sound
Recordings, AFTRA


Ted Cohen
VP of New Media
EMI Recorded Music


Richard Conlon
VP Marketing and Business Development, BMI

Manus Cooney
VP Corporate and Public Policy, Napster

Jay Cooper
Partner, Manatt, Phelps
& Phillips


Miles Copeland
Ark21 Records

Mark Cuban
Founder, Broadcast.com

Alan Davidson
Associate Director and Staff Counsel, Center for Democracy and Technology and adjunct professor, Georgetown Center for Communication, Culture and Technology

Ric Dube
Fenway Recordings

Adam Eisgrau

Adjunct Professor,
Communication, Culture and Technology, Georgetown University

Marshall Eubanks
CTO, Multicast Technologies


Edward Felten
Associate Professor of Computer Science,
Princeton University


Dave Fagin
The Rosenbergs

Phil Galdston
Songwriter Member, ASCAP

D. Linda Garcia
Director, Georgetown
University Communication Culture
and Technology Program


Ron Gertz
President, Music Reports

Danny Goldberg
President, Artemis Records

Jim Griffin
CEO, Cherry Lane Digital

Robin Gross
Attorney, Electronic
Frontier Foundation

Greg Hessinger
National Executive Director
AFTRA


Bill Holland
Washington Bureau Chief,
Billboard Magazine


Pam Horovitz
President, NARM

Dick Huey
Consulting VP New Media,
The Beggars Group


Chris Israel
Deputy Assistant Secretary for Technology Policy
U.S. Department of Commerce


Peter Jaszi
Professor, American University,Washington
College of Law


Peter Jenner
Chairman, AURA

Dean Kay
ASCAP

Rick Karr
Cultural Correspondent,
NPR News


Jon Kertzer
Director, Smithsonian
Global Sound


Bruce Lehman
International Intellectual Property Institute

Phil Leigh
Vice President, Raymond James
& Associates

David W. Lightfoot
Dean, Georgetown University
Graduate School of Arts and Sciences


Jessica Litman
Professor, Wayne State University

Ian MacKaye
Dischord Records/Fugazi

Dave Marsh
Journalist and critic

John McCutcheon
folkmusic.com / AFM local 1000

Walter McDonough
General Counsel, FMC

Eben Moglen
Professor of Law, Columbia University

Krist Novoselic
JAMPAC / Nirvana

Sandy Pearlman
VP Media Development,
Multicast Technologies


Marybeth Peters
Registrar, US Copyright Office

Jonathan Potter
Executive Director, DIMA

Ann Powers
Experience Music Project

Amy Ray
Indigo Girls / Daemon Records

Bernice Johnson Reagon
Sweet Honey in the Rock

Toshi Reagon
singer/songwriter

Rob Reid
Founder, Listen.com

Brian Robertson
President, Canadian Recording
Industry Association


Debra Rose
Counsel, House Subcommittee on the Courts, the Internet and Intellectual Property

Hilary Rosen
President and CEO, RIAA

Jay Rosenthal
Recording Artist Coalition

Charles J.Sanders
Senior Vice President of Legal and International Affairs, NMPA

David Sanjek
BMI Archivist and Author

Cary Sherman
Senior Executive Vice President and General Counsel, RIAA

Tom Silverman
CEO, Tommy Boy Records

John Simson
Director of Artist and Label Relations, Sound Exchange

Derek Sivers
CD Baby

Ted Tanner Jr.
Audio-Video Architecture Strategist, Microsoft Corporation

Jonathan Tasini
National Writers Union

Johnny Temple
Girls Against Boys /
Akashic Press


Michael Tiemann
CTO, Red Hat

Vivek Tiwary
Star Polish

Jenny Toomey
Executive Director, FMC

Joe Uehlein
Director, Strategic
Campaigns, AFL-CIO


Brian Austin Whitney
Just Plain Folks

Brian Zisk
Technologies Director, FMC