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The Future of Music Policy Conference 2001: Schedule

January 10 - 11, 2001 - Washington, DC

webcast archives

Click on a panelist's name for bio and contact information.

Wednesday, January 10th: Music / Tech 101

8:00 - 9:00

Continental Breakfast

9:00 - 9:15

Welcome by Future of Music's Jenny Toomey

9:15 - 9:30

Keynote 1: Senator Orrin Hatch Chair, Senate Judiciary Committee
read speech | watch webcast archive

9:30 - 10:30

Panel 1: A Music/Tech State of the Union
Moderated by Brad King, Wired News
watch webcast archive

Digital entertainment companies rushed to create new businesses in the Internet economy -- oftentimes without consulting the content owners. The fallout from the two-year land grab has led to litigation, leg-islation, and a lot of bad feelings. With the litigation era winding down, what comes next? How do these cases effect copyright law and will these legislative and legal precedents impact musicians' ability to be compensated on the web?

James Boyle, Duke University Law School
Ted Cohen, EMI
Manus Cooney, Napster; formerly Chief Counsel, Senate Judiciary Committee
Chuck D., Rapstation.com
Michael Greene, President and CEO, NARAS
Gerry Kearby, Liquid Audio
Hilary Rosen, President, RIAA

10:45 - 11:45

Panel 2: Traditional Industry Artists' Panel
Moderated by John Parres, AudioTrack
watch webcast archive

The term "starving artist" is a cultural cliche. But is the traditional model where labels invest in artists the best for artists? Some argue that artists are better served the more they stand on their own. We'll look at the strengths and weaknesses of traditional models including the major label system and the profit split to examine what we can take from these traditional models to help artists thrive.

Dave Allen, Intel / Gang of Four
Lester Chambers, Chambers Brothers
Bill Ivey, Chairman, NEA
Mark Kates, Grand Royal Records
Tim Quirk, Listen.com / Too Much Joy
Peter Standish, VP of Marketing, Warner Bros.
Noah Stone, Artists Against Piracy

12:00 - 1:00

Panel 3: Digital Millennium Copyright Act: Oh, What a Tangled Web We've Weaved
Moderated by Whitney Broussard, Selverne, Mandelbaum & Mintz
watch webcast archive

The Digital Millennium Copyright Act was ostensibly passed to provide clarification regarding the conflict-ing rights of copyright owners and online service providers. Now that we have the benefit of a few years of practical experience we'll re-examine this document to see if it has fulfilled its promise.

James M. Burger, Dow, Lohnes & Albertson, PLLC
Phil Corwin, Butra & Andrews
Steve Englund, Arnold & Porter
Bruce Lehman, Intl. Intellectual Property Institute
Eben Moglen, Columbia Law School
David Post, Temple University Law School
John Potter, Executive Director, DiMA
Pamela Samuelson, UC Berkeley

 
1:00 - 2:00

Lunch

2:00 - 2:30

Keynote 2: William Kennard Chairman, FCC

2:30 - 3:30

Panel 4: Open and/or Closed: The Future of Technology
Moderated by Brian Zisk, Director of Technology, FMC
watch webcast archive

Will the software and protocols used to distribute, share, and (attempts to) control music be Open Source or/and Proprietary, and what advantages are there to each of these options?

Robin Gross, Electronic Frontier Foundation
Don Marti, Linux Journal
Monty Montgomery, Lead Vorbis Developer
Michael T. Shinn, Founder, Shadow Group
Daniel Weitzner, W3C Technology and Society Domain Leader

3:45 - 4:45

Panel 5: Encryption & Watermarking Technologies: Will the Future be Secure?
Moderated by Eric Scheirer, Forrester Research
watch webcast archive

Many content owners and hardware and software manufacturers have held encryption and watermarking up as the Holy Grail -- a means to limit the transfer of digital files with secure methods. Members of SDMI (Secure Music Digital Initiative) hoped that technologies could secure digital business models that would maintain the pay per unit form of the traditional music industry. Earlier this fall the majority of the SDMI watermarks were hacked, raising questions about the viability of an encrypted business model.

Leonardo Chiariglione, Executive Director, SDMI
Edward Felten, Princeton University
Jack Moffitt, Icecast
Dr. Joseph Winograd, Verance

5:00 - 6:00

Panel 6: The Work-for-Hire Clause
Moderated by Ken Kaufman, Skadden, Arps
watch webcast archive

Late in the fall of 1999, Congress inserted four words into the Copyright Act. This amendment was short, but had far reaching and adverse effects on the future incomes of many recording artists. The event drew comment from all corners of the music community and ultimately resulted in the removal of the contro-versial language. What happened? Who was responsible? How did it impact artists' rights and is this a model for future music activism?

Jay Cooper, Manatt, Phelps & Phillips
Randy Frisch, LoveCat Music Publishing
Ken Hertz, Hansen, Jacobson, Teller & Hoberman
Debra K. Rose, Counsel to the Subcommittee on Courts and Intellectual Property, House Judiciary Committee
Jay Rosenthal, Recording Artists Coalition / Berliner, Corcoran & Rowe, LLP
Cary H. Sherman, General Counsel, RIAA


Thursday, January 11: Looking to the Future of Music

8:00 - 9:00

Continental Breakfast

9:00 - 9:15

Welcome by Martin Irvine Director, Georgetown University's CCT Program

9:15 - 9:30

Keynote 3: Michael Robertson, MP3.com
watch webcast archive

9:30 - 10:30

Panel 7: Monetizing the Ether: Disintermediating the Holy Grail
Moderated by Alec Foege, author and journalist
watch webcast archive

The Internet has been characterized as a tool with which to level the unfair playing field of the music business? How are artists using the web? What works for them? What worries them? Where are they going?

Nick Currie, aka Momus
Dave Fagin, The Rosenbergs
Kristin Hersh, musician and virtuous.com
Giovanna Imbesi, musician and Tuttomedia
Scott Ross, Moonshine Records
Steve Zuckerman, New York Expo

10:45 - 11:45

Panel 8: Who Should Collect the Digital Royalty?
Moderated by Ric Dube, Webnoize

At least three outfits have stepped up to collect webcast royalties, but could all of them be right for the job? Artists and labels want someone who'll pay dependably and frequently, webcasters need the most accurate counts possible so that they don't pay for plays that never happened. All involved parties would also like a collection agent that could negotiate the best possible royalty rate (artists and labels want it high, webcasters want it low). Who are the potential collection agents, and can they really offer all that's necessary?

Chris Amenita, ASCAP
Richard Conlon, BMI
Ron Gertz, Music Reports International
Francois-Xavier Nuttall, Founder, Audiosoft
Diane O'Dell, Senior Director, Internet and New Media Licensing, SESAC
Perry Resnick, Music Managers' Forum - US
John Simson, RIAA / SoundExchange

12:00 - 1:00

Panel 9: After the MP3.com and Napster Settlements; Where Do We Go From Here?
Moderated by Walter McDonough, Attorney

A discussion of the important legal issues that will dominate the dialogue besides copyright infringement. What are the privacy, security and artist compensation issues surrounding the implementation of the Napster/ BMG alliance and, more importantly, how will the artists be paid?

Anthony Berman, Idell, Berman & Seitel
Fred Davis, Davis, Shapiro & Lewit, LLP
Michael Einhorn, visiting Professor of Economics, William Paterson University
William Terry Fisher, Harvard Law School
Ken Freundlich, Schleimer & Freundlich, LLP
Rose Meade Hart, Hart Rayner, LLP

1:00 - 2:30

Lunch

2:30 - 3:30

Panel 10: Fair Use and Intellectual Property Law
Moderated by Robin Gross, Electronic Frontier Foundation

Intellectual property law and fair use present new challenges in the digital age to both artists and the public. Copyright holders' imposition of "digital locks" on music, together with new copyright legislation, will have a profound impact on freedom of expression and fair use. The ease with which infor-mation can be copied and distributed online will hinder copyright holders' ability to control their works. What legislative changes are needed to restore balance to the copyright bargain and ensure that the rights of artists, consumers, and labels are all respected?

John Perry Barlow, Founder, EFF
Jim Griffin, Founder, Evolab
Marybeth Peters, United States Copyright Office
Charlie Sanders, Harry Fox Agency
Fred von Lohmann, Morrison & Foerster

3:45 - 4:45

Panel 11: Into the Crystal Ball: Emerging Issues in Telecommunications Regulation and Legislation
Moderated by Michael Bracy, Bracy Williams & Company

Leading telecommunications analysts project what issues the new administration and Congress will be tackling in 2001, including 1) impact of new chairs in House/Senate; 2) direction of the FCC / FCC reform; and 3) timing of reopening the Telecommunications Act of 1996.

D. Linda Garcia, Director for Academic Affairs, Georgetown University's Communication, Culture and Technology Program
Andy Schwartzman, Media Access Project
Kathy Wallman, Wallman Strategic Consulting
Bill Whyman, Precursor Group

Interested in the Policy Conference?

 

 

 


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